This essay, on the occasion of a wonderfully comprehensive exhibition of her work that includes important new additions, is an attempt, after decades of looking at Prey’s work and writing about her, to situate her in the art historical canon.
This essay, on the occasion of a wonderfully comprehensive exhibition of her work that includes important new additions, is an attempt, after decades of looking at Prey’s work and writing about her, to situate her in the art historical canon.