As an artist I am very interested in the process, and it was very informative to see Miro's brushes (not the originals but copies), the paints and colors he used and the other objects that were in his studio in Mallorca.
Fibonacci's Workshop, watercolor 32" x 40" Two exhibits of my work, Oil and Water and Re/Viewing the American Landscapeare currently on view at Blue Water Fine Arts in Port Clyde, Maine. I've [...]
The Frick Museum has been a favorite of mine since I was young. When I had an internship at The Metropolitan Museum after graduating from Williams College, and I wasn't spending my time sitting on the streets of New York City drawing (which later became artwork for the New Yorker), I would spend my lunch breaks going to the Frick and looking at the collection, which I came to know by heart.
I was invited last week to speak at the Williamstown Art Conservation Center and to discuss five Winslow Homer watercolors they are currently restoring. What I like about these presentations is that it affords a wonderful dialogue of different perspectives
Every year for the past thirty, I travel to Maine to paint during the summer where I have an annual exhibit of my paintings. It is different than, say, my New York exhibits, but the same amount of energy goes into the preparation. This year's show, East Meets West, just opened at Blue Water Fine Arts in Port Clyde, Maine.
This is a memorable event, not only for the opportunity to hear, see and meet some of the living Jazz legends but, also to be part of the group as the Jazz Masters greet another.