Fibonacci's Workshop, watercolor 32" x 40" Two exhibits of my work, Oil and Water and Re/Viewing the American Landscapeare currently on view at Blue Water Fine Arts in Port Clyde, Maine. I've [...]
I was invited by The National Gallery of Art to give a presentation for the Winslow Homer exhibit with Chief Curator Franklin Kelly and Conservator Janet Walsh. I was also invited by The Corcoran Gallery of Art to give a gallery talk with Bechhoefer Curator of American Art Sarah Cash for the John Singer Sargent exhibit, Sargent and the Sea. I am familiar with both museum collections so it was of particular interest to me to see some of my favorite Corcoran paintings hanging at the National Gallery in a different light.
While a graduate student at Harvard University I spent much of my time in the Fogg Art Museum, either visiting the collection or attending art history courses
The story of the "monuments men" is fascinating and truly deserving of the attention it will garner through this film. Irene Rawlings calls it "the greatest treasure hunt in history."
I was invited last week to speak at the Williamstown Art Conservation Center and to discuss five Winslow Homer watercolors they are currently restoring. What I like about these presentations is that it affords a wonderful dialogue of different perspectives
It is still not too late to see Maine Sublime: Frederic Church's Landscapes of Mount Desert and Mount Katahdin -- a gem of a small exhibit which closes October 27th.
Every year for the past thirty, I travel to Maine to paint during the summer where I have an annual exhibit of my paintings. It is different than, say, my New York exhibits, but the same amount of energy goes into the preparation. This year's show, East Meets West, just opened at Blue Water Fine Arts in Port Clyde, Maine.